Theatre

Scottish Storytelling Centre (2014) AGNES BROUN in ‘Mother of All Burns’, by Andrew Dallmeyer, performed with Coreen Scott and Alasdair Morrison. “Andrew Dallmeyer is considered by many to be the finest and most individual Scottish playwright for many years” (Chambers Scottish Biography). 

Lennoxlove (2012) ‘Mother of All Burns’ with ‘The Picts’ band.MotherOfAllBurns_poster2

Nuffield Theatre (2009) PONCIA in ‘House of Bernada Alba’ by Garcia Lorca. “Particularly outstanding are Anne Raitt as the feisty servant and Kate Lock as the betrayed eldest daughter”. “The most interesting relationship is between Bernada and her servant Poncia. Anne Raitt picks up this contradictory character and gives her a force equal to Bernada’s”

Talkingheads
Talking Heads

Assembly Rooms, Edinburgh Festival (2007) ‘Talking Heads’ by Alan Bennet: IRENE RUDDOCK in ‘Lady of Letters’. “Curtain twitching Irene in ‘A Lady of Letters’. Impeccable, outstanding, simple, but spellbinding.”

 

The Tron Theatre, Glasgow (2006) IRENE RUDDOCK in ‘Lady of Letters’, directed by Grant Smeaton.

Liverpool Playhouse (1999) MRS. DANVERS in ‘Rebecca’ by Daphne du Maurier, directed by Richard Williams.

Leicester Phoenix, MOTHER SUPERIOR in ‘Agnes of God’.

Who Killed Hilda Murrell
Who Killed Hilda Murrell

Who Killed Hilda Murrell

Tricycle Theatre London & New Victoria Theatre (1987) HILDA MURRELL in ‘Who Killed Hilda Murrell’, directed by Nick Kent. “Anne Raitt plays the victim with calm authority and I was hooked enough to hang on to the end”.

The Young Vic (1986) ROSIE in ‘The German Connection’. “But best of all is Ms Raitt in a role that brings both force and tenderness into focus; a lioness who sees her own dreams shattered yet who strives with fortitude to deal with her new situation.” 
“But above all this is Anne Raitt’s play for her superb performance.”  Nominated Best Actor (Female) by Plays and Players, for Rosie in ‘The German Connection.’

Tricycle Theatre (1982) EILEEN in ‘Ever After’.

Ever After
Ever After
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Ever After
Ever After
Ever After

The National Theatre, GOODWIFE ANN PUTNAM in ‘The Crucible’ by Arthur Miller.

The Bush Theatre London, THE WIFE in ‘Loving Reno’, directed by Simon Callow.

Loving Reno
Loving Reno

The Royal Court Theatre, wrote & directed ‘MOTHERS & OTHERS’

The Royal Shakespeare Company, HYPOLYTA in ‘Tis a pity she’s a whore’, THE QUEEN in Henry VI’, ‘A & R’ Musical, SISTER DUINHEAD in ‘Sons of Light’. “There are moments of great beauty: especially Anne Raitt’s long tour de force of a speech describing the shipwreck in which all the island’s children were lost.”

RSCDressingRoom
RSC Dressing Room
rsc.jpeg
RSC
rsc_sonsoflight
RSC Sons Of Light

Oxford Playhouse ‘Statements after an Arrest under the Immorality Act’ by Athol Fugard.

The Royal Court Theatre SARAH in premiere of ‘Owners’ by Carol Churchill, directed by Nicholas Wright.

Witches
Witches, Macbeth at Edinburgh Festival

Victoria Theatre-in–the-Round, Stoke-on-Trent (Directors Peter Cheeseman, Ron Daniels, Ken Campbell):

SONIA in ‘Uncle Vanya’ by Chekhov. “..and two are outstanding, Anne Raitt’s Sonia is a painful joy to watch – a woman with the body and thoughts of a schoolgirl and Peter King. At times these two can make you hold your breath for fear the spell will break.”
ELECTRA in ‘Electra by Sophocles. “Anne Raitt’s  epic, wonderfully expressive Electra produced 90 minutes of tension which last night’s audience watched almost without breathing.”

Uncle Vanya
Uncle Vanya
Electra
Electra

 

Composing/singing in documentaries about local history 

Recording LP ‘The Knotty’

The Knotty
The Knotty